Frances Jayne Newman fine art

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MA Drawing, (part-time) Camberwell College of Arts 

Discussion Paper November 2005

Drawn towards the Thames : A journey from Tate Britain towards the Tower in search of clarification and discovery[1].


Ackroyd, P. (2000), London: The Biography, London: Vintage.

Aveling, E & Marx Aveling, E (1975), Shelley's Socialism: And Popular Songs, London: Journeyman Press.

Benjamin, W. (1999), Illuminations, London: Pimlico/Random House.

Berman, M. (1983), All That is Solid Melts into Air: The Experience of Modernity, London: Verso

Berger, J. (1997), Ways of Seeing, London: BBC Publishing

Berger, J. (2005), Here is Where We Meet, London: Bloomsbury Publishing

Bunting, M. (2004), Willing Slaves: How the Overwork Culture is Ruling Our Lives, London: Harper Collins.

Descharnes, R & Chabrun, J-F. (1967), Auguste Rodin, London: Macmillian.

Dostoevsky, F. (1979), Crime & Punishment, Great Britain: Chaucer Press.

Dostoevsky, F. (1960), Notes From the Underground and The Grand Inquisitor, New York : E P Dutton

Eagleton, T. (1991), Ideology an Introduction, London: Verso.

Eagleton, T. (1997), The Ideology of the Aesthetic, 8th edition. Oxford: Blackwell Publishers.

Eagleton, T. (2000), The Idea of Culture, Oxford: Blackwell Publishers.

Fisher, J. (1974), Thorburn's Birds, London: Book Club Associates.

Foot, P. (1988), Red Shelley, Bookmarks: London .

Fox, C. (1998), Dame Laura Knight, Oxford: Phaidon.

Hartley, A. (1957), The Penguin Book of French Verse 3: The Nineteenth Century, Middlesex: Penguin Books Ltd.

Harrison et al. (1995), Art in Theory 1900 -1990, 6th Edition, Oxford: Blackwell

Hinz, R. Edited by (1981) Kathe Kollwitz: graphics, posters, drawings, London: Writers and Readers Co-Operative.

Holmes, R. (1995), Shelley, The Pursuit, London: Flamingo

Hughes, R (1980 & 1991, The Shock of the New: Art and the Century of Change, London: Thames and Hudson

Jackson, G. (1975), Blood in My Eye, Middlesex, England: Penguin.

Lampert, C. (1986), Rodin: Sculpture & Drawings, Arts Council of Great Britain

Leslie, E. (2000), Walter Benjamin: Overpowering Conformism, London: Pluto Press.

Leslie, E. (2004), Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde, London: Verso.

MacCarthy, F. (1997), Stanley Spencer: An English Vision, New Haven: Yale University Press

Machiavelli, N (1981), The Prince, Middlesex, England: Penguin.

Morris, W. (1977), Three Works by William Morris, 4th edition, London: Lawrence & Wishart

Saro-Wiwa, K. (1995), A Forest of Flowers, 2nd edition Harlow: Addison Wesley Longman Limited.

Sterne, L. (1967), Tristram Shandy, USA: Airmount Publishing Company, Inc.

Taylor, J. R. (1986), Edward Wolfe, London: Trefoil Books Ltd.

Varnedoe, J. K. T. (1977), Graphic Works of Max Klinger, New York Dover Publications, Inc.

Wilde, O. (1983), The Complete Works Of Oscar Wilde, 3rd Edition, London: Hamlyn

Exhibition catalogues

Dorment, R & MacDonald, M. F. (1994), Whistler, London: Tate Gallery Publications

Museum of Contemporary Art Chicago, (2001), William Kentridge, New York: Harry N Abrams Inc.

Prelinger, E. Comini, A & Bachert, H. (1992), Kathe Kollwitz, Washington: National Gallery of Art

Tate Britain, (2000), William Blake, London: Tate Gallery Publishing Limited

Whitechapel Art Gallery, (2004), Faces in the Crowd, Picturing Modern Life From Manet to Today, Italy: Skira

Broadcasting Materials

Without Walls, The Hanged Man, Nigeria's Shame (1995), Ken Saro-Wiwa, 14/11/95, 30 minutes, Television, Channel Four


London, (1993), Directed and written by Patrick Keiller, Argos Films and the BFI, 80mins

World Wide Web

Unknown, HMS Belfast, (Internet), Imperial War Museum,   20/10/2005

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